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Les ouvrages de Gardiner* et de Lefebvre* rebutent par leur volume : celui de P. du Bourguet*, plus maniable et contenant des exercices corrigés, requiert un certain nombre de données préalables et de développements explicatifs.\u003cbr\u003e\n\\nLe souci de progression logique et de clarté m'a guidée dans la méthode, celui d'efficacité dans le choix des thèmes exposés. La présente Petite Grammaire ne dispense pas, tant s'en faut, des manuels précités dont l'usage s'avèrera indispensable à un stade ultérieur des connaissances et permettra l'ouverture vers des recherches linguistiques plus spécialisées. Elle se veut une simple clé facilitant l'accès au domaine égyptologique et sera améliorée au fur et à mesure des rééditions, en tenant compte des suggestions qui me seront faites.\u003cbr\u003e\n\\nL'état de la langue qui est exposé ici dans ses principaux développements est le moyen égyptien, dont les repères chronologiques se situent autour des 12ème-18ème dynasties et qui s'est maintenu au-delà, dans la phraséologie plus ou moins stéréotypée des monuments du Nouvel Empire.\u003cbr\u003e\n\\nLe système de transliteration retenu est celui des grammaires précitées.\u003cbr\u003e\n\\nVoir la bibliographie sommaire annexée en fin d'ouvrage.\u003c\/p\u003e","brand":"الأزبكية - AZBAKIA","offers":[{"title":"Default Title","offer_id":43429186470080,"sku":"AZBAKIA-EGYPTOLOGY-0034","price":255.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0527\/9032\/9536\/products\/271546122_969427457344029_3540356254633670421_n-1.jpg?v=1674922703"},{"product_id":"textsthe-art-of-the-saracens-in-egypt-stanley-lane-poole-المعرض-المصري-للكتاب-egbookfair","title":"textsThe art of the Saracens in Egypt","description":"\u003cp\u003etextsThe art of the Saracens in Egypt\u003cbr\u003e\n\\nStanley Lane-Poole Author\u003cbr\u003e\n\\n\u003cbr\u003e\n\\nThe subject of the following chapters is what has been commonly known as ' Arab ' or ' Mohammadan ' Art. Both these terms are misleading — for the artists in this style were seldom Arabs, and many of them were Christians — and the general term ' Saracenic ' has there- fore been substituted. * Saracen,' which means simply Eastern, was the universal designation of Muslims in the Middle Ages, whether the paynims referred to were Syrian or Egyptian princes, like Saladin, or Barbary chiefs, or Moorish Alcaydes in Spain ; and the mediaeval ring of the term Saracenic — which recalls the \" proud Sarrasin \" of the ballads, the Sarrasina artist of Italy, the Bysant Saracenatus of the Crusaders, and the stuff Sara- cenatum, or, as we spell it, \" sarcenet ' — is specially appropriate to the art about to be described. Saracenic art possesses an unmistakable style, which is instantly recognised wherever it occurs, from the pillars of Hercules and the Alcazar of Seville to the mosques of Samarkand and the ruins of Gaur in Bengal ; and this style was developed and brought to perfection in the Middle Ages. 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